BRUNOTONES’ “Housetales” Is A Lifetime in the Groove, And Finally Given a Voice
House music has been part of BRUNOTONES’ life for more than four decades, and that experience is clear in...
Eli Wise Finds the Funny Side of Becoming Yourself With “Ghosts and Logic” EP
Being away from music for ten years can either weaken an artist’s intuition or provide them with something valuable...
Tdooooo Turns “Booze” Into a Soulful Portrait of Pain, Pressure, and Survival
Tdooooo arrives as an emerging Afro-fusion voice with a palette that stretches from Afrobeats and Amapiano to hip-hop, trap,...
BRODRICK’s “Chat” Finds Power in the Conversation
With his Afro-drill instincts rooted in rhythm and grit, BRODRICK brings a relaxed confidence to “Chat,” a track that...
MENTAVIBE’s “Mbali Nawe” Turns Distance Into Dance
MENTAVIBE, the independent project created and produced by Juergen Joe Bauer, brings together Afro-centric rhythm, Swahili lyricism, organic instrumentation,...
At Exzenya’s “B!tch Please,” she turns heartbreak into a victory lap.
Exzenya, who is based in Remote, United States, is an independent artist and certainly knows that a good song...
BRUNOTONES Turns Four Decades of House Fever Into “The House in Me”
More than 40 years after first becoming enchanted by House music, BRUNOTONES has at last stopped resisting the rhythm...
Krey Galin’s “My Plan” Is One Song, Seven Languages, One Borderless Vision
Music is far more interesting when it doesn’t stay in one place, and that concept lies at the heart...
Mary Tuttle Finds the Divine in Love, Risk, and the Wild: “God in the Wild”
A debut EP has the ability to present an artist, but “God in the Wild” does more than that:...
Akili’s “Beautiful Madness” Turns Creative Chaos into Something Glorious
Akili is more than a singer-songwriter; he is a storyteller shaped by church choirs, theatrical stages, gospel harmonies, and...